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When Designers and Developers Collaborate, Everyone Wins

A great developer recognizes and enhances design decisions. A great designer understands the technology they are designing for. Both developers and designers need to have an intimate understanding of each other’s fields in order to produce better experiences for brands.

In order to deliver a bespoke experience for a brand, a collaborative environment needs to be fostered.

How to Actually Collaborate

A key element to facilitating design and developer collaboration is reshaping the reviewing process. The traditional way is to do a bunch of design work upfront, get client approval, polish the entire project, and hand it off to a developer completely “designed.” This often results in quite a few design decisions being compromised because of poor documentation, developer interpretation, or non-feasibility.

The new way of doing things is beyond agile—it’s actual collaboration.

Collaborate

Setting a frequent and casual cadence of check-ins between designer and developer not only speeds up each other’s workflows, but it also allows each party to influence each other’s practice. True collaboration is a developer showing a designer an interaction that is 50% of the way done, so that the designer can fiddle with the code in order to make it perfect. True collaboration is also a designer showing the developer what they are thinking for design early on, so that the developer can raise any flags or offer suggestions to improve the design.

Using contemporary tools is the best way to achieve this type of working relationship. Gone are the days of sharing Sketch files over email and setting calendar events where eight people on the agency side show up to have a formal conversation with a developer.

Today, we use Figma so that the developer can see and modify the designs as they are being worked on. We use Slack to keep in communication on a regular basis and have video/screen share calls when reviewing things that keep updates frequent and easy.

Building Collaboration via Overlapping Skill Sets

To actually collaborate with someone, having overlapping skill sets is key. If each party has an understanding of the other’s expertise, they can make decisions together confidently. This also establishes trust between one another. For example, if a certain interaction is going to be too time-consuming to develop, the developer can offer a suggestion that is rooted in the agency’s design expertise. This is great when needing to come to a consensus on changing a piece of the design to fit the timeline since we can trust that the developer’s suggestion is going to be feasible. It also gives designers a new model of interaction to design against, so we can refine the design accordingly.

Building Collaboration via Remixing

When you have two parties with overlapping skill sets, the other party will often take the idea you have designed and enhance it.

Internally, we used our knowledge of front-end development to deliver custom interactions to our developer Cory, and he would surprise us by making them even better in his implementation. This type of relationship is critical in creating a site that expresses the brand to its fullest potential.

To be technical, our original design intended to use CSS to pin one part of the design while the rest scrolled. The developer went even further and added an overlap to the pinned area once a certain scroll threshold is reached.

This design was enhanced in implementation because the developer split up a Lottie animation and CSS animations that aligned perfectly with the timing. This needed to be implemented this way because the text needed to be editable in the CMS.

Start Today

The best way to build a culture of true collaboration is to start actually collaborating with people today.

Are you working on a document that you are trying to perfect before sending off? Get on a screen share and get input from a developer.

Do you work with a team that has a skill set you don’t have? Start learning their skills, gain empathy for what their jobs are, and bring them into the conversation. Show that you care about their craft and that you’re willing to learn outside of your role in order to make something better than you could have done alone.

Did someone send you a project to execute? Think creatively about it and enhance it beyond what they were expecting. Those little one to two-hour experiments add up over time and really improve the quality of what you’re working on.

Emotive Brand is a brand strategy and design agency in Oakland, California.

Can You Be a Design Intern for Just One Day? Stella Raab Just Did: Read Her Interview

Design Intern for a Day

Intern for a day? Why just a day? We had the same question and more. Read what Stella Raab, a talented, young designer from Berlin who interned for us (for yes, a day), had to say.

So, why just one day? Don’t you want to spend more time with us?

I’m a student in Berlin and there’s this weird gap between classes and my official internship that starts in September. I had one month to kill. I thought, “What would be a funny way to spend it?” I’ve never been to San Francisco before. I wanted to get experience in a new city, but it seemed absurd to do a one-month internship at an agency in the Bay. So, then I thought, “Maybe let’s just make it even more ridiculously short.”

And the more I thought about it, the more I thought it was a great idea. People behave differently when you’re only there for one day. You get this intense, concentrated view into a workplace. It’s fascinating and thrilling to me!

How many agencies have you visited so far?

Other than you, just one so far. I just got here and I wanted a little time to get to know the city. It’s crazy though, because even just visiting two agencies I can already see extreme differences. I can see how vast the branding world is here. The processes are different, the clients are varied, people work in unique ways with each other – some agencies lean more into strategy than others. The list goes on; I can’t wait to see more differences.

Are these experiences already giving you a better sense of what you want to do once you graduate?  

Yes, definitely. There are so many possibilities and nuanced positions. When it comes to jobs, you don’t have to be just the classic graphic designer. You have options, and that’s exciting.

Can you tell us a little more about how you got interested in design?

I’ve been sketching since I was a kid – ask my mom. I was always drawing on something. Anything! I loved creating things that you can open, that contains two-dimensionality, or that reveals itself slowly over time.

When I first considered going to design school, I was doubtful. Most of my fellow students are a couple years younger than me. I thought, “Should I really go? Is it really going to be worth it?”

But I took the leap, and I’m so thankful I did. Now, I just get more and more passionate about design – and I’m always looking for people who share that same passion! 

What was your artistic turning point?

I worked on Brut Magazine, a magazine at my university, and was a part of a super inspiring team. My main task was conducting and designing an interview with Tom Bieling all about the power of design. He designed gloves that help deaf and blind people receive SMS messages. It really illustrated how design is the future for me, and I knew I had to be a part of it. It wasn’t just about creating something pretty or being perfect, it was about making about impact.

How important is collaboration to you?

Collaboration is so key, but it has to be the right kind. You need different opinions on a team to design something truly impactful. You need an explanation, and you need people who are going to challenge each other. Design can’t be comfortable. With collaboration should always come challenge. You have to constantly be seeing new things and seeing the same things differently.

What do you think of the Bay Area? Any favorite spots you’ve discovered?

I loved spending the afternoon in the SFMOMA the other day. Otherwise, I’ve just been discovering so many tiny streets I love. I found this park that overlooks the financial district. It felt like a quiet, hidden nook of the city. I love those kind of modest corners that feel like they are all yours.

We love your sketch book. There’s so much richness and creativity in there. What are your favorite types of things to sketch?

As you can see, I prefer to draw birds more than humans because birds never complain. People always have something to say about the way you draw them.

How will you chronicle your one day intern project?  

I’m going to create a video. I’m taking at least one minute of footage a day at every place I visit. I’ve already collected so many memories and impressions. I wish I could capture them all.

Check out Stella Raab’s website and Instagram to check out her awesome work (and sketches). And thanks to Stella for being our intern for the day.

design intern

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