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Can You Be a Design Intern for Just One Day? Stella Raab Just Did: Read Her Interview

Design Intern for a Day

Intern for a day? Why just a day? We had the same question and more. Read what Stella Raab, a talented, young designer from Berlin who interned for us (for yes, a day), had to say.

So, why just one day? Don’t you want to spend more time with us?

I’m a student in Berlin and there’s this weird gap between classes and my official internship that starts in September. I had one month to kill. I thought, “What would be a funny way to spend it?” I’ve never been to San Francisco before. I wanted to get experience in a new city, but it seemed absurd to do a one-month internship at an agency in the Bay. So, then I thought, “Maybe let’s just make it even more ridiculously short.”

And the more I thought about it, the more I thought it was a great idea. People behave differently when you’re only there for one day. You get this intense, concentrated view into a workplace. It’s fascinating and thrilling to me!

How many agencies have you visited so far?

Other than you, just one so far. I just got here and I wanted a little time to get to know the city. It’s crazy though, because even just visiting two agencies I can already see extreme differences. I can see how vast the branding world is here. The processes are different, the clients are varied, people work in unique ways with each other – some agencies lean more into strategy than others. The list goes on; I can’t wait to see more differences.

Are these experiences already giving you a better sense of what you want to do once you graduate?  

Yes, definitely. There are so many possibilities and nuanced positions. When it comes to jobs, you don’t have to be just the classic graphic designer. You have options, and that’s exciting.

Can you tell us a little more about how you got interested in design?

I’ve been sketching since I was a kid – ask my mom. I was always drawing on something. Anything! I loved creating things that you can open, that contains two-dimensionality, or that reveals itself slowly over time.

When I first considered going to design school, I was doubtful. Most of my fellow students are a couple years younger than me. I thought, “Should I really go? Is it really going to be worth it?”

But I took the leap, and I’m so thankful I did. Now, I just get more and more passionate about design – and I’m always looking for people who share that same passion! 

What was your artistic turning point?

I worked on Brut Magazine, a magazine at my university, and was a part of a super inspiring team. My main task was conducting and designing an interview with Tom Bieling all about the power of design. He designed gloves that help deaf and blind people receive SMS messages. It really illustrated how design is the future for me, and I knew I had to be a part of it. It wasn’t just about creating something pretty or being perfect, it was about making about impact.

How important is collaboration to you?

Collaboration is so key, but it has to be the right kind. You need different opinions on a team to design something truly impactful. You need an explanation, and you need people who are going to challenge each other. Design can’t be comfortable. With collaboration should always come challenge. You have to constantly be seeing new things and seeing the same things differently.

What do you think of the Bay Area? Any favorite spots you’ve discovered?

I loved spending the afternoon in the SFMOMA the other day. Otherwise, I’ve just been discovering so many tiny streets I love. I found this park that overlooks the financial district. It felt like a quiet, hidden nook of the city. I love those kind of modest corners that feel like they are all yours.

We love your sketch book. There’s so much richness and creativity in there. What are your favorite types of things to sketch?

As you can see, I prefer to draw birds more than humans because birds never complain. People always have something to say about the way you draw them.

How will you chronicle your one day intern project?  

I’m going to create a video. I’m taking at least one minute of footage a day at every place I visit. I’ve already collected so many memories and impressions. I wish I could capture them all.

Check out Stella Raab’s website and Instagram to check out her awesome work (and sketches). And thanks to Stella for being our intern for the day.

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Going Global for Inspiration: Unfamiliar Spaces Yield a Fresh Design Perspective

A Design Perspective on Finding New Inspiration

As a designer working at a fast-paced agency, it’s easy to feel tethered to the computer. It’s easy to get stuck in the same patterns of designing, looking at the same sources of inspiration, and working from the same perspective each time. But what many people forget about is the value of altering your surroundings – seeing something new, changing your pace, looking elsewhere for inspiration, or just widening your lens of seeing. Being truly creative, inspired, and innovative – as the top designers, business leaders, and brands today need to be – hinges on being able to see something from a new perspective.

People seek to shake up the way they see things in different ways. For me, traveling is where this happens. It gives me the opportunity to see things with a fresh perspective. There’s something about a foreign environment that stimulates the mind’s eye. Even the most ordinary things seem interesting. The simplest things delight and inspire.

Recently, I was lucky enough to take a month-long trip to Vietnam, Cambodia, Thailand, and Japan. This trip reminded me of the unparalleled, unique value of travel. And after four weeks of diverse experiences, I was able to return to my work with renewed energy, creative spirit, and untried inspirations. The things I observed and absorbed while traveling will inform my understanding of design moving forward. Here are some I want to share from you.

Finding and Embracing Juxtaposition

Throughout my travels, I noticed that often the most striking and interesting experiences arose when traditional culture clashed with the modern. The night markets in every major city or town we went to would all sell the same souvenirs: T-shirts, keychains, and knickknacks all of the same “design”. The sameness made it all a blur – nothing stood out.

And when we visited more remote villages and towns, the markets sold culturally-linked traditional items that felt unfamiliar. For instance, at a hill tribe in Northern Thailand, there was a beautiful market that sold traditional clothing and handicrafts. The colors and patterns were vibrant, the fabric was high-quality, and the design looked tribal in its aesthetic. I found myself admiring them from a distance, but they didn’t feel like things I would wear back home. They weren’t accessible in the modern world.

But then, occasionally, we would encounter something that was the perfect juxtaposition between old and new, traditional and modern. The juxtaposition would allow the local culture to be more accessible to us. Or it would remind us that even the most modern places are stepped in a beautiful history. The contrast made my appreciation for both the old and new increase.

Old Meets New

In Bangkok, we stumbled upon a hole-in-the-wall bar, hidden in an alleyway in Chinatown and tucked away from the normal foot traffic. All the traditional elements – the ornamental decor, the hanging mobile that transported order sheets to and from the second floor, the old-school menus, the reservation cards made of banana leaf – all worked harmoniously within a modern, industrial space filled with contemporary light fixtures. The cocktails were also composed of juxtaposing element: a modern twist on Thai herbal liquors, all served in traditional cups, to be sipped with a live band playing Thai music with traditional instruments in the background. For me, it transported me away from the museum-like experience that often comes with learning a new culture, and made the whole experience more unique, more intriguing, and more tangible.

In Okinawa, we went to two pottery villages. Most craftsmen created pottery with the same technique that been handed down the from generation to generation. There was a lot of historical sentiment connected to the work and a beauty that rang true with the heritage of it. But, in the end, the pottery we ended up buying were the pieces that were built with a modern twist – made in traditional clay, but with an asymmetrical color composition or bold graphic patterns. The store we purchased the pieces from seemed to be thriving because the craftsmen were using traditional methods, but also looking towards the future. And this made them groundbreaking and unique. They stood out to the passersby and gave a taste of what was, what is, and what’s to come from Japan’s ceramic artists.

Inspiration Isn’t Always Planned

My travels reminded me that inspiration often comes from the most unexpected places or in the most surprising of forms. We did a lot of research on must-visit spots and must-try restaurants before taking off on our trip. But when we actually saw and tried these highly anticipated spots, the experiences oftentimes fell flat. They weren’t as inspiring as we thought they would be. Instead, the real gems of the trip were those we discovered and happened upon mostly by chance – by exploring, taking an unplanned detour, going on a different route, or noticing something that just caught our eye. It was these spots that delighted and surprised us the most.

In the old market area in Siem Reap, Cambodia, we stumbled upon stores with beautiful old cement tiles arranged on their floors. The patterns were surprisingly modern with bold geometric shapes that caught my eye. In a hip district in Chiang Mai, Thailand, we were delighted to discover a few striking clothing stores and coffee shops – some with elaborate graffiti that made the stores come alive and others with oversized cartoon sculptures greeting patrons in the front. We were so charmed by the district that we decided to extend our stay there another night.

Wonder in the Unexpected  

A lot of sameness happens in design. Brands look and feel the same and have a hard time differentiating themselves in crowded marketplaces. This is a real problem for businesses looking to say something different and stand out. For instance, there is a homogeneity happening in the interactive world today. Flat design is all the rage now and before that it was skeuomorphism. This is because it’s easy to latch onto trends. The always-there internet, influx of design blogs, and wide accessibility to things happening in the industry make it easy to imitate without even knowing it. Sometimes, when you pull back, it seems everyone is “inspired” by the same work. Everyone thinks the same designs are “cool.”

I remember one of my teachers saying: “Surprise yourself when looking for inspirations. When you start on a packaging project, look at fashion for inspiration.” This was valuable advice that I was reminded of on my trip. If we keep looking at things in the same places and space, we become numbed by the visuals. It gets hard to gain any real insights or create anything different or new. That’s why brands that are designed to take people by surprise and make people delight in something new and unexpected often find success.

Looking Somewhere Different

It’s easy to look to the internet and what people are creating in our own bubbles for “inspiration.” But that’s not where originality happens. You have to go to unexpected places. You have to explore. You have to take a risk. Flip something. Put two elements that have never been in the same room together. You have to be willing to be surprised, to learn something new, to look both forward and backward.

You have to use what you notice in the world around you – everyday patterns, people, new cultures, different geography – to inform your own work. The world is so big, there should never be a lack of inspiration. There are always going to be new things to see or gain creative energy from. Simply trying to widen your lens of seeing is of great value to anyone who is trying to stay creative, innovative, and inspired. I turned to travel to spark something new in my brain and set my designs on a new path. What do you turn to?

Share your thoughts on how you get inspired with us and look out for more posts about staying inspired and creative from our team.

Emotive Brand is a brand strategy and design agency.