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Educate, Activate, Accelerate: Three Tips for Bringing Design to Life

Working on a brand project can feel a lot like being back in school. You do your homework, you research, you drink coffee late into the evening. And just like graduating, there comes a crucial moment at the end of the journey where the agency hands off the assets. This hard-earned diploma might be a new visual identity, a new website, or even just a new logo. As far as the SOW is concerned, the “work” is over — but of course, this is where the real work begins: activation.

Sure, you may have a framed degree on the wall, but if you’re not taking active steps to bring those lessons to life, all you’re left with is student debt. So, how does a company truly activate its new design assets so that they become something useful?

We spoke with Senior Designer Robert Saywitz on the subject, and in his mind, you need to educate, activate, and accelerate.

Educate

“First things first, a general education of branding and design will lead to an appreciation of the process. Because of time constraints, many clients don’t understand the amount of work and thought that goes into creating something so simple. This misunderstanding can lead to conflict or mismanaged timetables down the line. One of my favorite quotes is from Charles Mingus. ‘Making the simple complicated is commonplace; making the complicated simple, awesomely simple, that’s creativity,’ he said.

A quick primer creates a shared understanding that leads to a stronger partnership. When both parties understand what’s happening, the dynamic changes from the mechanic who knows everything to a shared sense of involvement. In addition, it gives the client a framework for evaluating the work you create. It’s so easy to get hung up on terminology if you’re not familiar with things like wordmarks or typefaces.

When you take the time to equip your client with the right context, you empower them to take ownership and feel more invested in the brand. People can’t invest in the brand if they don’t understand it.”

Activate

“Often, a client isn’t exactly sure what they need. So, when the time comes to hand off the assets, they might request a super minimal brand guidelines document as the end deliverable. It’s only as you go through the design rounds together that they start to think critically about what they actually need. Suddenly, this simple PDF they requested starts to grow. You start to ask, ‘What would be the most meaningful way to bring this to life for each department?’ Maybe it’s sell sheets, marketing collateral, or even an entire microsite that serves as a brand hub with templates, assets, and explanations.

At the end of the day, activation will only ever be as meaningful as you make it. Design assets can be a thing that sits untouched in a folder on a server, or valuable tools that solve real-world needs. The biggest mistake I see is when an agency rushes to hand everything over. Activation is not some tiny part of the pie, it’s a process that should permeate to all aspects of the brand. From brand guidelines to workshops to education sessions, there are many ways to activate your brand internally.”

Accelerate

“When everyone is educated and bringing the brand to life, things accelerate fast: design has the assets they need, sales understands the story, messaging is aligned and consistent with the aesthetic, everything is unified and connected. Your brand starts to work for you instead of the other way around.

As an example, my first experience with jetBlue incorporated this type of holistic design thinking. From the moment you walk into the terminal, you’re greeted by their specific color palette and clever messaging that guides you through the experience. Every interaction is purposeful and deliberate — the messaging on the walls, the napkin at the airport bar, the uniforms of the flight attendants and how they interact with you, the graphics on the actual plane — it’s all connected and telling a singular story. People are being walked through an experience with a level of care and detail that goes beyond mere functionality. It’s an end-to-end experience where design elevates the highest possible value of a brand. When it feels like a single hand crafted every touchpoint, people fall in love with your brand. A company is a complex thing, but peoples’ experience of the brand should be a simple, unified interaction.

When you’re firing on all cylinders, everything becomes a useful tool. Assets, guidelines, strategy, writing, the tone of voice, it all gets funneled together and draws people in. That’s why it’s so important not to bifurcate the process. You don’t want to simply hand off a document and say, “Hey, good luck.” Educate the key players, make them understand and fall in love with the story — so they are compelled to go tell it themselves.”

Emotive Brand is a brand strategy and design agency in San Francisco.

Emotive Design Is Felt in the Gut

This week, we had the pleasure of adding Beth Abrahamson as a Senior Designer to our team. She is a multidisciplinary graphic designer whose practice challenges the distinction between art and design. Constantly shifting in and out of different mediums – collage, ceramics, photography, drawing – she’s an expert at imagining how these forms can live in the digital world. With an MFA in Design from California College of the Arts, Beth has recently worked with AirBnB, Southern Exposure, San Francisco Art Institute, and many others. We sat down with Beth to discuss her work, the importance of collaboration, and the definition of emotive design.

Tell us a bit about your background.

I came here seven years ago to attend the San Francisco Art Institute for a design and technology program. After graduating from California College of the Arts, I hopped between freelancing at design studios, companies in-house, and building my own client base.

What brings you back to a studio environment?

I really value the ability to see so many different types of environments. It’s so interesting to be able to be a fly on the wall. Every place is different, and sometimes as a freelancer, you’re treated as an outsider. I came here because I was seeking the kind of collaboration and diversity you only get with a studio.

What advice would you give to studios on how to best integrate freelancers so they feel embraced?

It sounds simple, but all anyone wants is to be treated as part of the team. Fostering a healthy team dynamic is super important, and it can make all the difference. You want a place where everyone brings a different skillset, knows their role, and has a seat at the table. There’s such a big difference between “sitting in close proximity to other people” and actually collaborating. As a creative person, I thrive on variety – in projects, clients, and mindsets. With a studio, the sum is greater than the parts.

At Emotive Brand, strategy drives everything. Have you had experience working with strategists before?

It’s so crucial for design, and it’s an area I really want to learn more about. Good design always has to be backed up by good strategy. I value the environment that Bella and Tracy have created here. Both their authenticity and their approach. It’s very rare to have this female-led dynamic, and whether or not you want to admit it, it makes a difference. Just in the approach to empathy, emotional intelligence, and communication. It’s about achieving that perfect balance of everyone having a role and everyone feeling like their voice is heard.

How would you describe your approach to design?

I am a firm believer in the concept defining the aesthetics, and not the other way around. It’s about the process. I take a lot of inspiration from the world around me – from physical things, from mundane forms, or things that may seem mundane at first glance. A big part of my process has been about translating ideas across mediums. Not just working on the computer but working by hand – building things, cutting things. All of that informs what then becomes the digital graphic. With a lot of my work, you can feel the artist’s hand. I try to create a simplicity and accessibility.

Outside of the 9-to-5, what are you working on right now?

I’ve been teaching myself ceramics for the last two years and I’m totally obsessed. There’s a very strong relationship to graphic design. Right now, I’m working on vessels that have different geometric forms as handles. Those forms are coming from some 2D work that I’ve done, and vice versa. An idea will often move from a blind contour drawing, to a screen print, to a ceramic shape.

How would you define emotive design?

For me, emotive design is felt in the gut. It inspires others, draws them in. It’s about translating passion from the maker to the viewer – and in that transfer of ideas and feeling, there is a deep connection. When it works well, that connection – between people or brands – is unbreakable.

Emotive Brand is a San Francisco brand strategy and design agency.

What is Emotive Design?

Emotive design is a component of emotive branding that engages people in a focused way that strives to evoke the specific feelings the brand seeks to own.

Using color, lines, shape, form, texture, light – and nothingness – designers create both passive and interactive experiences that resonant with the brand’s emotional space.

Emotive design is not overtly emotional design. Operating at a subtle and subconscious level, these design cues work to reinforce and enhance other dimensions of the way people interact with the brand.

Continue reading “What is Emotive Design?”